Can there be too much of a good thing? That’s the question Jetlife’s THC Soda, with it’s 50mg of THC, seeks to answer.

Classic DOOM gets a 2020s update.

Astro-Bot’s “Winter Wonder” level will make it feel like Christmas again (which is badly needed.)

“No Rest For The Living” uses the decade-plus of experience with DOOM II and brings something new and polished to the table, even while still using a lot of the old classic assets.

There’s a lot that this seltzer gets fundamentally right.

DOOM II avoids the cardinal sin of a strong game sequel: changing too much, too fast. Instead, it delivers the same kickass gameplay as DOOM, but this time bigger, better (in some places) and more hectic.

If you enjoyed the base game and want more Astro Bot, Stellar Speedway does the job, whether you approve of the method or not.

What impressed me most about Astro Bot was how it recreated the magic of older classic platformers while also carving out it’s own unique identity. It may at times remind of you of Super Mario Galaxy or Little Big Planet, but at no point does it feel like an imitation.

Alien Romulus takes everything you love about the Alien franchise…and then smashes it on top of everything you think is simply okay with the Alien franchise. But it’s a fun movie.

Pedro Paramo, the adaptation of the classic Mexican book, is a gorgeous film that simply can’t reach it’s lofty ambitions.

It’s completely unintuitive, it’s laden with footnotes, sidetracked narratives, unreliable narration, random and seemingly pointless diatribes on things like the Minotaur, architecture, echoes and photojournalism. Yet, it’s one of the most compelling books I’ve ever read and after a while becomes almost addictive.

A new chapter, made exclusively by DOOM’s most enigmatic creator.

It’s Weed Tea and it’s actually quite good at it’s job.

In the beginning there was DOOM and the beginning was DOOM and from DOOM came the first person shooter. So it was written.

Darkwood has a reputation as “a horror game with no jumpscares”, which is truly impressive considering how MOST horror games rely almost exclusively on jumpscares. But the question would then be “How is it scary?” Well, it’s scary because of literally everything.

Monarch: Legacy of Monsters is not the most action packed Monsterverse entry, but it’s probably the most interesting overall. Hell, it’s easily the best written and does a great job of intertwining with the films in the franchise.

This new Fortnite season is my favorite in quite a few months, probably since C5,S3: Wrecked. The gameplay and ideas presented here bring an overhaul to a lot of the mechanics and systems we know and love. The theme is cohesive and smartly constructed, remaining broad and relatively open ended while also having a clear vision and focus.

Even if it seemed like a novelty at first, way back when it started in November 2023 (my God that feels like a decade ago), Fortnite OG felt like a bit of a Pandora’s Box for the game. People genuinely do miss the OG Fortnite era. It was a simpler time for that generation. There was no going back.

The original Little Nightmares game had me feeling like I needed a hug afterwards. This one has me needing therapy. So it goes, but damn does it go. What the first Little Nightmares did for greed, this game does for emotional manipulation and abuse. Playing this game was easy but finishing it was brutal.