90 minutes is all these three talented leads need to craft an experience that is as touching as it is subdued.

Anora is the best movie of 2024. I cried.

The forgotten classic DOOM game takes it’s rightful seat at the table.

Vicious Void is indeed vicious.

Can there be too much of a good thing? That’s the question Jetlife’s THC Soda, with it’s 50mg of THC, seeks to answer.

Classic DOOM gets a 2020s update.

Astro-Bot’s “Winter Wonder” level will make it feel like Christmas again (which is badly needed.)

“No Rest For The Living” uses the decade-plus of experience with DOOM II and brings something new and polished to the table, even while still using a lot of the old classic assets.

There’s a lot that this seltzer gets fundamentally right.

DOOM II avoids the cardinal sin of a strong game sequel: changing too much, too fast. Instead, it delivers the same kickass gameplay as DOOM, but this time bigger, better (in some places) and more hectic.

If you enjoyed the base game and want more Astro Bot, Stellar Speedway does the job, whether you approve of the method or not.

What impressed me most about Astro Bot was how it recreated the magic of older classic platformers while also carving out it’s own unique identity. It may at times remind of you of Super Mario Galaxy or Little Big Planet, but at no point does it feel like an imitation.

Alien Romulus takes everything you love about the Alien franchise…and then smashes it on top of everything you think is simply okay with the Alien franchise. But it’s a fun movie.

Pedro Paramo, the adaptation of the classic Mexican book, is a gorgeous film that simply can’t reach it’s lofty ambitions.

It’s completely unintuitive, it’s laden with footnotes, sidetracked narratives, unreliable narration, random and seemingly pointless diatribes on things like the Minotaur, architecture, echoes and photojournalism. Yet, it’s one of the most compelling books I’ve ever read and after a while becomes almost addictive.

A new chapter, made exclusively by DOOM’s most enigmatic creator.

It’s Weed Tea and it’s actually quite good at it’s job.

In the beginning there was DOOM and the beginning was DOOM and from DOOM came the first person shooter. So it was written.

Darkwood has a reputation as “a horror game with no jumpscares”, which is truly impressive considering how MOST horror games rely almost exclusively on jumpscares. But the question would then be “How is it scary?” Well, it’s scary because of literally everything.